September 13

• Opening comments 10:00 am Violaine Roussel (CRESPPA-Labtop)
• Panel 1 10:20 – 12:20 pm Chaired by Olivier Roueff (CRESPPA-CSU) : Denise Bielby (University of California Santa Barbara), “Film Critics and Film Criticism in Transnational Hollywood” ; Georges Meyer (CRESPPA-Labtop), “Censorship. French-American Relations and Circulations (1959-1975)” ; Séverine Sofio & Gaël Marsaud (CRESPPA-CSU & Labtop), “‘This class will change your writing life’: Hollywood Screenwriting Gurus in Paris and their Public”
• Panel 2 1:30 – 2:50 pm Chaired by Chloé Delaporte (Université Montpellier 3) : Delphine Naudier (CRESPPA-CSU), “Middlemen, ’name artists’ and their circulation between France and the US (late 19th c-1960s)” ; Ross Melnick (University of California Santa Barbara), “Fox Hunt: 20th Century-Fox, Africa, and the Search for Meaning in the Company’s Divided Continental Strategy”
• Panel 3 3:10 – 4:30 pm Chaired by Chloé Delaporte (Université Montpellier 3) : Jennifer Holt (University of California Santa Barbara), “Technological Disruption, Media Policy, and the Future of US-EU Content Exchange” ; Jérôme Pacouret (CESSP, CNRS-Université Paris 1-EHESS), “Hollywood’s international fight against digital piracy” ;
• Reception (on site)

September 14

• Panel 4 10:00 – 12:00 pm Chaired by Christine Cadot (CRESPPA-Labtop) : Aurélie Pinto (Université Paris 3), “‘Indie cinema:’ what circulates between Hollywood and France?” ; Michael Curtin (University of California Santa Barbara), “Branded Blockbusters and Streaming Series: New Transnational Strategies of the French Film and Television Industries” ; Audrey Mariette (CRESPPA-CSU) & Laure de Verdalle (Laboratoire Printemps/CNRS), “When French directors do American movies: Crossing from France to Hollywood in the 2000’s”
• Closing discussion 12:00 – 12:30 pm